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<p>by Robert Willey (1993).</p><p>Hardware:</p><ul><li>Macintosh SE computer</li><li>Roland Sound Canvas module</li><li>Yamaha KX76 keyboard controller</li><li>Korg Wavestation synthesizer</li><li>Mackie 1602 mixer</li><li>Lexicon LXP-1 reverb</li><li>Panasonic SV-3700 DAT recorder</li></ul><p><br></p><p>Software:</p><ul><li>Studio Vision (Opcode)</li><li>Intelligent Music UpBeat (David Zicarelli)</li><li>Programmable Instruments (Robert Willey)</li></ul><p><br></p><p>The sounds and processes had a big effect on the musical ideas, textures, and forms. UpBeat was a cool program that was used on half the album's songs. It allowed the user to set boundaries on random events that varied the notes you played, creating variations in drum pitch patterns. I think the fun of working in this environment comes through in the recordings. The era ended when my Macintosh SE's screen finally gave out, since UpBeat was not compatible with new versions of Apple's operating systems. The other important