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IIn The Adventures of Huckleberry Finn, Mark Twain presents a lively portrait of 19th-century Middle America, centered on a raft drifting down the Mississippi River. Huck fakes his own death to escape a stifling, “civilized” existence, reverting to his backwoods roots and helping Jim—a runaway slave—gain his freedom. As they float south, the pair encounters a patchwork of small towns, each providing fresh trouble that Huck dodges with his knack for spinning tall tales. While critics often focus on Twain’s commentary on slavery, it underpins rather than dominates the story, highlighting Huck and Jim’s freewheeling life of coffee, fish, and resourceful improvisation. They face desperadoes, family feuds, and even a steamboat collision. The excitement spikes when two con men, styling themselves as a “duke” and a “king,” join the raft and devise schemes to swindle unsuspecting townsfolk. Ultimately, when Jim is captured and threatened with a return to bondage, Huck teams up with his old pal
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